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ASAKE'S NEW ALBUM MAY 1ST, 2026

Asake’s M$NEY Album: Everything You Need to Know Before May 1st

From the tracklist to the marble sculpture making waves online, Asake’s M$NEY album is really trending as we speak because of Asake’s credibility as an artist. In this blog, we will cover everything surrounding Asake’s M$NEY album, from the lead singles to the marble sculpture, pointing to an artist who is operating with a clear and deliberate vision for this era. 

Afrobeats Global is your go-to source for music news, artist features, and culture from across the African music scene. For recent updates, you can read our previous blog on Davido’s Playlist: The Artists He Has Been Listening to in 2026

 

May 1st is circled on a lot of calendars right now. Asake is back, and this time he is arriving with a statement. His fourth studio album, M$NEY, is dropping on May 1, 2026, and the buildup to it has been anything but quiet.

Between the album announcement, the lead singles already dominating playlists, and a marble sculpture commissioned in his likeness that has been all over social media, Asake has made it clear that M$NEY is not just an album. It is a whole moment. And if you are trying to catch up on what is happening, this is everything you need to know.

The Basics: Title, Date, and Label

The album is called M$NEY, running on 13 tracks, and it is set for a global release on May 1, 2026. What makes this rollout particularly significant beyond the music itself is the label situation. M$NEY marks Asake’s first full project under his own imprint, Giran Republic, distributed through EMPIRE.

After his years at Olamide’s YBNL Nation, where he built one of the fastest trajectories in Afrobeats history, Asake is now operating on his own terms. Giran Republic is not just a vanity label name. It represents a shift toward complete creative and business ownership. That context matters when you are listening to an album called M$NEY.

 

The Lead Singles Released

 

Asake M$NEY album cover artwork 2026

Three singles have been released ahead of the album, and they tell three different stories about where Asake is headed sonically.

The first is Why Love, a melodic record that leans into his Fuji-infused vocal style. It is the kind of song that feels personal, unhurried, and layered in a way that rewards repeat listening. If you have been following Asake since Omo Ope and Sungba days, this one will feel like a natural evolution of his quieter, more reflective side.

Then there is Worship, his collaboration with globally renowned producer DJ Snake. The pairing alone signals where Asake’s ambition sits. Worship blends spiritual themes with a sound built for dance floors in Lagos, London, Paris, and everywhere in between. DJ Snake has worked with artists across genres and continents, and the fact that Asake is on his radar at this level says everything.

The third single is Badman Gangsta, a feature with French artist Tiakola. Tiakola has been one of the most prominent voices in French Afropop, and this collab is a direct bridge between the Nigerian Afrobeats scene and the French African music community. For Asake, who has already proven he can travel across borders, Badman Gangsta feels like a calculated next step rather than a random pairing.

The Sculpture That Stopped the Internet

Alongside the album announcement, something happened that added a whole different layer to the M$NEY rollout. Iraqi-Dutch artist Athar Jabar unveiled a large marble sculpture inspired by Asake and titled Mr M$ney.

The piece is striking. It captures Asake’s presence and identity in physical form, translating the Mr Money persona he has built over the course of his career into something you can stand in front of. Athar Jabar is known for bold, conceptually rich work, and this sculpture does not feel like a promotional gimmick. It feels like a genuine artistic response to what Asake represents in the cultural moment right now.

The timing is also significant. The sculpture dropped right around the album announcement, essentially framing M$NEY as a legacy statement, not just a music release. When an artist’s identity is being rendered in marble before the album even comes out, you know the rollout is operating at a different level.

Social media picked it up immediately. The image circulated widely, and for a lot of people who may not have been fully locked into the Asake news cycle, the sculpture was what pulled them in. That is a smart rollout strategy working exactly as intended.

 

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A New Era Under Giran Republic

It is worth spending a moment on what Giran Republic actually means for Asake’s career, because it is one of the most important parts of the M$NEY story.

YBNL Nation gave Asake his platform. Under Olamide, he released Mr. Money With The Vibe and Work of Art, two projects that made him one of the most streamed Nigerian artists in the world and earned him a Headies Award for Artist of the Year. But what happens after the platform has done its job? The answer, for Asake, appears to be full ownership.

Launching Giran Republic and partnering directly with EMPIRE means Asake controls his masters, his creative decisions, and his revenue in a way that was not possible under a traditional label deal. For the generation of Afrobeats artists watching his moves, that is a meaningful signal about how to build for the long term.

M$NEY, then, is his first real declaration of what that independence looks like in practice. Thirteen tracks, three already established singles, a global distributor, and a rollout built around visual and cultural storytelling. That is an artist running his own show.

Why This Album Matters Right Now

Afrobeats is in a place right now where the biggest artists are being asked to prove they can sustain themselves. The global wave that carried Nigerian music into mainstream conversations in the UK, US, and Europe over the past few years is no longer new. The bar has shifted. It is not enough to have the energy and the ear. You have to have the body of work that holds up.

Asake has been building toward that body of work. From Mr. Money With The Vibe to Work of Art, each project showed a different dimension of who he is as an artist. M$NEY, arriving as his first fully independent project with a sculpture in his name and three genre-spanning singles already out, looks like the moment he has been setting up since the beginning.

With only days left before the release date, Asake’s M$NEY album is shaping up to be one of the most significant Afrobeats projects of 2026. The album comes out on May 1st. The listening sessions are coming. The reviews will follow. But the conversation around M$NEY has already started, and if the pre-release rollout is anything to go by, this is going to be one of the most talked-about Afrobeats projects of 2026.

 

Stay connected with Afrobeats Global for all the latest on Asake’s M$NEY album, reviews, and everything in between.

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